Poster by Garrett DeRossett
Tackle Box explores the utilitarian nature of leisure in our Southern climate. Beneath the familiar refrains of ‘Sportsman’s Paradise’ — the whip of a fishing line, the gurgle of engines, the chorus of croaks and calls — we confront the eternally flat and unnerving state of the delta landscape while finding comfort in the pastimes of our shared environment.
Please inquire with artists directly to purchase and collect pieces.Artists & Works
Parker Stewart (b. 1992) is a photographer based in Savannah, Georgia. A native of North Carolina, Stewart arrived in Savannah in 2011 to study photography at the Savannah College of Art and Design. Stewart’s work is focused on the notion of Place, and he uses photography as a tool to record the moments and scenes that move him the most. Currently Stewart is making photographs of the landscape and culture of the wild Georgia coastline and the rural Savannah River Basin.
Parker is working solely as a photographer and fine art printer in Savannah, Georgia.
Unframed editioned prints available upon request.
parkerstewartphoto@gmail.com
Parker is working solely as a photographer and fine art printer in Savannah, Georgia.
Unframed editioned prints available upon request.
parkerstewartphoto@gmail.com
11x14 inch Archival Pigment Print
Edition 1/25
$750
Untitled (Tire, Fender), Valona, Georgia, 2017
11x14 inch Archival Pigment Print
Edition 1/25
$750
11x14 inch Archival Pigment Print
Edition 1/25
$750
Cora Rose Nimtz (b. 1991) is a textile artist based in New Orleans employing generational quilting, embroidery, and applique skills to capture intimate still-lives and local atmospheres of her Southern upbringing.
She challenges the functionality of domestic craft objects by transforming them into intensive canvases. Composing scenes of her home in the American gulf South, her work evokes a private nostalgia, enveloping her viewers in a tactile and scenic world created by traditional block patterns.
Through elements of Southern folk art and domestic craftsmanship, inspired by her own mechanisms of memory, she is currently exploring this set of inherited techniques as a means to rework what is safe and familiar.
coranimtz@gmail.com
She challenges the functionality of domestic craft objects by transforming them into intensive canvases. Composing scenes of her home in the American gulf South, her work evokes a private nostalgia, enveloping her viewers in a tactile and scenic world created by traditional block patterns.
Through elements of Southern folk art and domestic craftsmanship, inspired by her own mechanisms of memory, she is currently exploring this set of inherited techniques as a means to rework what is safe and familiar.
coranimtz@gmail.com
Storm at Sea, Louisiana, 2024
24x18 inch quilt with embroidery
$4300
Storm at Sea, Louisiana, 2024
_____ inch quilt with embroidery
$3000
Second place at the Fishing Rodeo, Louisiana, 2024
_____ inch quilt with embroidery
$4300
Giancarlo D’Agostaro (b. 1990) is a photographer living and working in New Orleans, Louisiana.
He is available for assignments.
info@giancarlodagostaro.com
He is available for assignments.
info@giancarlodagostaro.com
Golden Meadow (LA 1), Louisiana, 2024
27 x 36 Framed Archival Print
1/1
Inquire with artist for pricing
Words from the artist
Pontchartrain II (LA 613-1), Louisiana, 2024
27 x 36, Framed Archival Print
1/1
Inquire with artist for pricing
Kyle McLean (b. 1989) is an Artist living and working in New Orleans, Louisiana. Originally from Long Island, New York, McLean works in the coffee industry while growing and maintaining the space for his art practice.
McLean primarily works in sculpture. The process of collecting and sorting is prevalent in his work, often making use of urban detritus, natural and artificial, gathered, manipulated and/or presented for effect. McLean is critical of the convenience that shapes modern culture and seeks to unpack and reorganize the conversations around agency and responsibility when it comes to the environment. McLean sees the natural world as a collaborative force and seeks to further explore the relationships between order, disorder, maintenance and decay.
kylejmclean27@gmail.com
McLean primarily works in sculpture. The process of collecting and sorting is prevalent in his work, often making use of urban detritus, natural and artificial, gathered, manipulated and/or presented for effect. McLean is critical of the convenience that shapes modern culture and seeks to unpack and reorganize the conversations around agency and responsibility when it comes to the environment. McLean sees the natural world as a collaborative force and seeks to further explore the relationships between order, disorder, maintenance and decay.
kylejmclean27@gmail.com
Cedar Skyscraper Sconce 1+2, Louisiana, 2023–24
Lamps with foraged cedar, glass, and metal
Contact the artist with any inquiries
Loop, Louisiana, 2024
15in, Various bricks, steel rod
Contact the artist with any inquires
Brandon Holland is a New Orleans-born artist working and living in the Gulf South.
Using primarily a 4x5 view camera, he explores his identity and place within the greater African diaspora through nature, history, and family. The work is informed by the Akan philosophy of Sankofa – a process of returning to one’s roots and reconnecting with the past in order to shape the future. He presents a mixture of intimate portraiture, quiet landscapes, and rich tradition in order to map out his place within the rich tapestry of black culture.
For Tackle Box, he’s employed his philosophy in a more diaristic manner, with small format photographs arranged for large format narrative.
brandonhollandphoto@gmail.com
Using primarily a 4x5 view camera, he explores his identity and place within the greater African diaspora through nature, history, and family. The work is informed by the Akan philosophy of Sankofa – a process of returning to one’s roots and reconnecting with the past in order to shape the future. He presents a mixture of intimate portraiture, quiet landscapes, and rich tradition in order to map out his place within the rich tapestry of black culture.
For Tackle Box, he’s employed his philosophy in a more diaristic manner, with small format photographs arranged for large format narrative.
brandonhollandphoto@gmail.com
Blue Rising, Louisiana, 2024
30x40 collage of 4x6 Giclee prints, watercolor, handmade papers formed with flax, kozo, corn husks, beaten blue jeans, invasive seaweed and onion skins
Inquire with artist for pricing
Madeline Norton is a figurative painter and art educator currently residing in New Orleans, LA.
Madeline invites viewers to join her journey of recollecting intimate and re-imagined memories. Using the figure, Norton
hones in on personal vignettes that explore the complex interplay of tenderness and detachment, themes that form the emotional
backbone of her work. Fascinated with the liminal space that exists between these two states of being, Norton explores the intricate
transitions that unfold within the human experience.
Norton employs abstracted compositions, adorned with stylized figures and characterized by the expressive freedom of loose
brushstrokes. Through this deliberate deconstruction of memories, she unravels the intricacies of desire, navigating the peaks and
valleys that mark the landscape of human emotion, allowing viewers to connect with the universal aspects of longing, passion, and
introspection.
norton.madelinem@gmail.com
Madeline invites viewers to join her journey of recollecting intimate and re-imagined memories. Using the figure, Norton hones in on personal vignettes that explore the complex interplay of tenderness and detachment, themes that form the emotional backbone of her work. Fascinated with the liminal space that exists between these two states of being, Norton explores the intricate transitions that unfold within the human experience.
Norton employs abstracted compositions, adorned with stylized figures and characterized by the expressive freedom of loose brushstrokes. Through this deliberate deconstruction of memories, she unravels the intricacies of desire, navigating the peaks and valleys that mark the landscape of human emotion, allowing viewers to connect with the universal aspects of longing, passion, and introspection.
norton.madelinem@gmail.com
Party’s Over by the River Styx, Louisiana, 2024
48x36 inches, oil and mixed medium on cradled panel
$3200
His approach is simple and spontaneous, using small and medium format films to document the scenes that catch his eye. Whether it's Spanish moss draping over cypress trees or egrets hunting in the shallows, Porter's photography is an unfiltered reflection of his experiences in the landscape.
willporter479@gmail.com
Cypress and Spanish Moss, Wilmot, Arkansas, 2024
8x8 pigment print
1/1
$50
Egret in the Shallow, Wilmot, Arkansas, 2024
8x8 pigment print
1/1
$50
M.G. Tucker (b. 1992) is artist and photographer living and working in New Orleans, Louisiana. He was raised on the north shore of Lake Pontchartrain.
Finding the warmth in everyday moments, he reveals plain beauty by practicing slow-paced and vernacular image-making. Considering the abiding narratives in play at the intersection of man-made and natural environments, his photographs concern ideas of place, home, and earnest living.
Finding the warmth in everyday moments, he reveals plain beauty by practicing slow-paced and vernacular image-making. Considering the abiding narratives in play at the intersection of man-made and natural environments, his photographs concern ideas of place, home, and earnest living.
For Tackle Box, Tucker applies the elementary techniques of photo transfer and watercolor on a weathered tent cover found in Bayou Chinchuba. Taking inspiration from Tackle Box artists Cora Nimtz and Kyle McLean, the work invites reflection on how we carry our past — in memory and in material.
mchltckr@me.comLeisure at Prestress, Louisiana, 2024
Photo transfer and watercolor on found tent cover
Inquire with artist for pricing